The Wire, Issue 384 (February 2016)

Alan & Sir Richard Bishop
The elegant Frequencies ringleader and Rangda guitarist social gathering to speak sunlight urban women, Islamophobia and smoking bans. via Dave Segal.

22a documents
The South London workforce and label’s jazz prompted productions and free beats proportion a fairly neighborhood aesthetic. by means of Joe Muggs

The Primer: This warmth And past: A user’s consultant to the recordings of the artwork rock trio and spin-off teams from Camberwell Now to Monkey Puzzle Trio. via Mike Barnes


Breadwoman: people chants from outer house from Anna Homler’s loaf-faced adjust ego. by means of Laura Snapes

Za!: The Spanish duo mash up terrace-chant mayhem with... every thing else. by way of Stewart Smith

Bastard Assignments: From pencil sharpeners to butcher’s scraps, the composer collective convey noise domestic. by means of Robert Barry

Bizarre Rituals: Freaky events and multidimensional rave vibes from the Devon dependent staff. via Joseph Stannard

Collateral harm: A six element plan to working a label in 2016. via Britt Brown

Gran Nayar worldwide Ear: The corridos tradition soundtracking wild fiestas in Mexico’s Sierra Madre mountains. by means of Nathaniel Morris

Invisible Jukebox: Puce Mary, the Danish noise artist Frederikke Hoffmeier is going to extremes with The Wire’s secret list choice. confirmed via Britt Brown

The internal Sleeve: Rabih Beaini on Alessandro Armellin aka aO’s Untitled

Epiphanies: Josephine Foster’s come upon with a subway mugger transforms her songwriting

On display: New movies: Adam Kahan’s examine of Rahsaan Roland Kirk, and The Melvins at the road

Print Run: New song books: James Baldwin, Henry Grimes, the consequences of presets in song, and histories of post-rock and Sarah Records

On place: fresh stay occasions: Sally Can’t Dance 2015, Le bet Who?, London modern tune pageant and more

Abbath, Aluk Todolo, Animal Collective, Årabrot, Brood Ma, Neil Campbell, Kate Carr, Cavern Of Anti-Matter, Chris Forsyth & The sun lodge Band, Christopher Fox & Anton Lukoszevieze, Richie Hawtin, Icepick, Aaron Irwin, Gregory James Jenkins, Julian Julien, Kneebody & Daedelus, Konstrukt & Joe McPhee, Prince, Ingrid Laubrock, Matmos, Uwe Oberg, Okokon, PHORK, Pusha T, Ramleh, Rangda, Claudio Sanna, Linda Sharrock, Sink, Spektr, Ulver, Andrew Weatherall, Saul Williams, quite a few: final condominium On useless finish highway OST, quite a few: Reactivate The Years 91–01, a variety of: XL bankruptcy VI

The Columns through Matt Krefting, Chal Ravens, Steve Barker, Robert Barry, Jack legislations, Daniel Spicer, Julian Cowley, Louis Pattison

Size concerns via Byron Coley

The Boomerang: Cardiacs, Erroll Garner, Gemini, Anna Homler & Steve Moshier, Joe McPhee, Raz Mesinai, Herbie Hancock, This warmth, David S Ware, climate file, The Wilde plant life, a number of: Coxsone’s tune: the 1st Recordings Of Sir Coxsone The Downbeat 1960–62, quite a few: The 12 months Of Jubilo, a variety of: Senegal 70: Sonic gemstones And Unreleased Recordings From The Seventies

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Additional info for The Wire, Issue 384 (February 2016)

Example text

Quential aspect of organization and chapter 3 deals with the fusion of simultaneous auditory components into a single sound. Types of Explanation of These Phenomena In the following chapters, I will attempt to show how the auditory system goes about trying to solve the scene-analysis problem. The presentation will include a number of approaches. First, it will try to show what acoustic information the auditory system uses to solve this problem. An example of this would be the fact that the synchro­ nous onset of two frequency components is taken as evidence that 32 Chapter 1 they are parts of the same sound.

This application of sequential organization could help us deal with mixtures. 48 Chapter 2 The process of sequential grouping could also exploit a related situation. If it could find a portion of the mixture that contained an unmixed signal, it could analyze the portion of the mixture that im­ mediately followed it for components that resembled the unmixed ones, and extract them from the mixture. This second application of sequential grouping principles will not be discussed until chapter 3. Although it is also a sequential grouping process, it interacts with the processes that hold the simultaneous parts of a sound together and is therefore more naturally discussed together with them.

B . --· · · ·• c . T I M E Figure 1 . 16 Stimulus used by Bregman and Pinker (1 978) . A, B, and C are pure tone compo­ nents. system whose business it is to organize things. The scene-analysis approach relates the process more to the environment, or, more par­ ticularly, to the problem that the environment poses to the perceiver as he or she (or it) tries to build descriptions of environmental situa­ tions. Sequential versus Spectral Organization Perceptual Decomposition of Complex Sounds We have looked at two laboratory phenomena in audition that show the activity of the scene-analysis process: the streaming effect and the illusory continuation of one sound behind another.

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