The Resurrection Fields (The Promises of Dr. Sigmundus, Book by Brian Keaney

By Brian Keaney

“Keaney's concoction of sci-fi, horror, and myth is remarkably powerful. Sigmundus is a villain who will hang-out readers.”—The Bulletin

Beginning the place e-book 2, The Cracked replicate, left off, this finale to the guarantees of Dr. Sigmundus trilogy takes readers into strange nation-states with fanciful creatures, carrying on with its signature exploration of the cost of freedom and self-determination. concentrating on the continued struggles of its teenaged protagonists, Dante and Bea, it's a trip without delay exciting and considerate, with lots to supply for natural examining leisure and booklet dialogue. This trilogy is enjoyable for myth lovers but additionally available to the less-than-hardcore style fanatic.

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The Resurrection Fields (The Promises of Dr. Sigmundus, Book 3)

“Keaney's concoction of sci-fi, horror, and myth is remarkably powerful. Sigmundus is a villain who will hang-out readers. ”—The Bulletin

Beginning the place publication 2, The Cracked reflect, left off, this finale to the guarantees of Dr. Sigmundus trilogy takes readers into strange geographical regions with fanciful creatures, carrying on with its signature exploration of the cost of freedom and self-determination. targeting the continued struggles of its teenaged protagonists, Dante and Bea, it's a trip instantly exciting and considerate, with lots to supply for natural examining amusement and e-book dialogue. This trilogy is gratifying for fable lovers but additionally available to the less-than-hardcore style fanatic.

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Extra info for The Resurrection Fields (The Promises of Dr. Sigmundus, Book 3)

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The boy must eventually separate himself from his dependency on – and desire for – the mother and must face up to his father. In doing so, the boy becomes more ‘‘man-like,’’ thereby maturing and perpetuating the heterosexual family configuration. But the child must also repress this guilty ‘‘fantasy’’ of desiring the mother and harming the father, and so Bettelheim and others argue that the symbolic content of fairy tales helps children work through such conflicts on a subconscious level. Although Freudians draw heavily on the Oedipal myth, the relationship between fairy tales, myths, and the unconscious is highly complex, A BRIEF CRITICAL OVERVIEW 43 E1C03_1 01/20/2010 44 particularly because each of these terms is defined differently by different scholars.

In contrast to those like Irwin or Tolkien who attempt to circumscribe the boundaries of fantasy, a more open-ended approach can be found, for example, in The Encyclopedia of Fantasy. In this indispensable tome, John Clute and John Grant acknowledge the debt that modern fantasy owes to antiquity, but also explore the many tendrils of fantasy across genres, movements, and modern media – including film. Like Tolkien they note a number of the so-called ‘‘taproot texts’’ that contribute to the ‘‘cauldron of story,’’ such as Apuleius, Bunyan, Cervantes, Chaucer, Dante, Malory, Rabelais, and Shakespeare, to name just a few (ix).

The value of Hume’s position lies in the A BRIEF CRITICAL OVERVIEW 41 E1C03_1 01/20/2010 42 acknowledgement that what we choose to call fantasy is a question of degree and not of kind. Just as fantasy, science fiction, or horror fall along a continuum, so do realist and fantasy elements. Fantasy has the potential to challenge the status quo since it can explore what would otherwise be repressed, and so it is not surprising that psychological analyses of the genre are common. In Fantasy: The Literature of Subversion, Rosemary Jackson focuses on the many fantastic and Gothic texts that inform Todorov’s work, seeing the fantastic as being particularly open to a psychological reading because of its connection to fantasy as a mental process.

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