The Italian presence in American art, 1760-1860 by Irma B. Jaffe

By Irma B. Jaffe

The Italian Presence in American artwork is a wide-ranging exam of facets of yankee paintings that owe a massive debt to Italy and Italian artists.

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Horatio Greenough, Portrait Bust of Samuel F. B. Morse 121 62. Horatio Greenough, Portrait Bust of Thomas Cole 122 63. Thomas Cole, Landscape Composition (Moonlight) 124 64. Thomas Cole, The Course of Empire 125 65. Thomas Cole, Tower by Moonlight 126 66. Thomas Cole, Ruined Castle by a Bay 127 67. Thomas Cole, Landscape with Tower in Ruin 128 68. Enrico Causici, Landing of the Pilgrims 133 69. Enrico Causici, Conflict of Daniel Boone and the Indians 134 70. Antonio Capellano, Preservation of Captain Smith by Pocahontas 135 71.

Harriet Hosmer and her workmen 197 123. Harriet Hosmer, Zenobia in Chains 198 124. International Exhibition of 1862 199 125. John Gibson, Tinted Venus 200 126. The Roman Court at the International Page xvi Exhibition of 1862 201 127. Claudio Zambianchi, The Caffè Greco, photograph 202 128. A. J. Downing, "An Irregular Villa in the Italian Style, Bracketed" 211 129. Richard Upjohn, the Edward King House 213 130. "Fabrique à Rome," from Clochar 214 131. George Wightwick, "Anglo-Italian Villa" 215 132.

Benjamin West, John Allen 1 2. Benjamin West, Copy after a Sibyl by Anton Raphael Mengs 3 3. Benjamin West, Anne, Countess of Northampton, and her Daughter, Lady Elizabeth Compton 4 4. Benjamin West, Savage Warrior Taking Leave of his Family 5 5. Rembrandt Peale, Self-Portrait 10 6. Rembrandt Peale, William Short 11 7. Rembrandt Peale, Bertel Thorwaldsen 12 8. Rembrandt Peale, Landscape, after Salvator Rosa 14 9. Rembrandt Peale, Horatio Greenough 15 10. Rembrandt Peale, Patriae Pater 16 11. Rembrandt Peale, Cupid with Bird's Nest 18 12.

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