By Paul Kane
Best-selling horror novelist Clive Barker had a rocky commence with the 1st makes an attempt to transform his tales right into a visible medium. administrators and screenwriters grew to become the movie diversifications of Underworld and Rawhead Rex into whatever slightly recognizable--and field workplace disasters in addition. for this reason, while he approached movie businesses approximately Hellraiser, Barker insisted that he be considering each step, together with the path. The ensuing 1987 movie has develop into an undisputed horror vintage, spawning a film franchise that thus far comprises 8 films.
This quantity explores not just the cinematic interpretations of the Hellraiser mythos but additionally its intrusion into different creative and cultural types. starting with the radical resources of Clive Barker's notion, the publication follows Barker from his pre-Hellraiser cinematic event during the filming of the horror vintage. It examines a number of issues (such because the undermining of the conventional family and the malleability of the flesh) stumbled on during the movie sequence and the ways that the illustration of those issues adjustments from movie to movie.
The non secular facets of the movies also are mentioned. Characters crucial to the franchise--and the mythos--are tested intimately. integrated is a foreword via actor Doug Bradley, who portrayed the notorious Pinhead.
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Additional resources for The Hellraiser Films and Their Legacy
We must also mention briefly the Cenobites as metaphors for our deepest instinctive fears—and we are always attracted to what we fear the most. Chatterer, with those wires pulling back his lips, revealing gums and teeth, crystallizes a very real anxiety about being eaten, possibly alive. On a more modern level, he brings with him connotations of dental work, too, the anxiety we all feel about this particular profession. Butterball represents fear about gluttony, of having overeaten until fit to burst, as he literally has.
However, Kirsty does not adhere to the moral codes of a Heavenly heroine, or even a heroine from previous horror films. Most noticeably, she does not remain virginal. Whether or not anything happened after her kiss with Steve, it is still insinuated that she has slept with him. In slasher films this is usually the grounds for punishment by the killer, as Carol Clover elucidates in her groundbreaking book, Men, Women and Chainsaws. The Final Girl, as she calls the Stalk and Slash heroine, is usually a “spunky enquirer into the terrible place,”12 but never sexually active.
His choice for the voicing of Pinhead should also rate a mention here. Obviously, he couldn’t have pitched it like the asexual character from The Hellbound Heart. “The voice I gave to Pinhead is anything but ‘light and breathy,’ and certainly sounded like no ‘excited girl’ it’s ever been my pleasure to know.... ”10 And the audio was enhanced even more in postproduction. Secondly, as already suggested, the mystery surrounding the Cenobites at the start of the movie is vital. Who are they? Where did they originally come from?