Ingmar Bergman: The Life and Films of the Last Great by Geoffrey Macnab

By Geoffrey Macnab

Ingmar Bergman used to be the final and arguably the best of the old-style ecu auteurs and his effect throughout all components of up to date cinema has persisted to be substantial on the grounds that his dying in July 2007. Drawing on interviews with collaborators and unique study, this e-book places Bergman's occupation into the context of his lifestyles and provides a brand new and revealing portrait of this nice filmmaker. 

Geoffrey Macnab explores the usually painfully autobiographical nature of his paintings, whereas additionally having a look intimately at Bergman as a craftsman. He considers Bergman's operating courting along with his actors (especially the actresses he helped make into overseas stars), his ardour for theatre, literature and classical track and his obsession with loss of life and cruelty. The ebook strains his irritating formative years, asking how his studies turning out to be up because the son of a strict Lutheran pastor fed into his later writing and filmmaking. It additionally appears at his political lifestyles, chronicling his teenage flirtation with Nazi-sm, his sour spat within the mid-70s with the Swedish experts over his tax affairs and his usually vexed courting along with his fellow Swedes. Geoffrey Macnab additionally considers how Bergman's paintings used to be financed and dispensed, his dating with US brokers and the way shut he got here to operating in Hollywood.

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Additional info for Ingmar Bergman: The Life and Films of the Last Great European Director

Sample text

He humiliated Bergman – and Bergman hated humiliation. Finally, when he was a young man, beginning his career as a director, Bergman had a stand-up fight with his father. He wrote him a letter, saying they would never see one another again. Doubtless, Bergman’s portrayal of his father is rooted in truth. However, as he acknowledged himself, it was a partial and unfair representation of a man with whom he had much in common. Bergman, too, liked to take to the pulpit. That fearsome temper of his to which all his contemporaries testify and the tendency – at least occasionally – to bully his collaborators may well have had their roots in the parsonage.

And then I got married very often. I don’t remember much about my private life, to be honest. When I want to date something, I refer to films or plays. I can’t remember when my children were born. ’28 Only with his final marriage, to Ingrid Von Rosen in 1971, did he finally achieve the domestic security that he had so long been yearning for. ‘She was all that he needed – a housewife and a practical person. 32 INGMAR BERGMAN She arranged things’, Laretei observes. ’29 In Bergman’s late workbooks, you can find occasional hints as to how domestic concerns entered into his professional life.

It is telling and poignant that Bergman even sought to choreograph his own funeral. ‘People kept the secret from the press until the grave was dug the night before’, Faro resident Thomas Soderlund, who provided the wood for Bergman’s coffin, told The International Herald Tribune. ‘These were his instructions. ’41 Bergman attempted to control which of his films remained in circulation. In Sweden itself, his work was not especially widely distributed. He forbade certain of his films, for example This Can’t Happen Here, to be shown.

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