In the Peanut Gallery with Mystery Science Theater 3000 by Robert G. Weiner, Shelley E. Barba

By Robert G. Weiner, Shelley E. Barba

It is a selection of essays by means of a number of authors who all percentage an seen love and severe obsession with secret technology Theater 3000. those essays delve into a few anticipated topics just like the tradition of riffing and undesirable video clips, but in addition comprise an in depth research of Gypsy and gender roles, in addition to an exam of Cambots impression at the convey. In all, there are twenty 5 varied essays integrated during this assortment, every one via a distinct writer.

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Extra info for In the Peanut Gallery with Mystery Science Theater 3000

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Whereas the female Japanese doctor Sumiko Ogimura plays an equal role next to her male space travelers in Silent Star, in First Spaceship, her role is reduced to a supporting figure taking care of the household duties on the spaceship, such as providing the male astronauts with food and tending to their injuries. A total of more than seven minutes of Sumiko’s dialogue was edited out from Silent Star (Ciesla, 2002: 135–136), putting her in line with the other female supporting roles. Now, she appears in First Spaceship in a traditionally female profession, similar to the news commentator for the TV station “Intervision” and the radio operator at the moon base Luna 3 (reminiscent of the telephone operators in the time before automated dialing was introduced).

He has mentored industry figures like Martin Scorsese, Jack Nicholson, Francis Ford Coppola, and Peter Bogdanovich, and garnered numerous honors and awards — including a Bram Stoker, an Independent Spirit Award, Filmmaker of the Year from American Cinema Editors, a Lifetime Achievement award from the Casting Society of America, and most recently, Lifetime Achievement Awards from both the Producers Guild and Video Software Distributors Association. But no matter how often his feet may have trod the stairs to an award podium, MST3K hauls him back to his roots — the low end of the cinematic gene pool — like kids from the old neighborhood who never let him forget from whence he came.

The building exploding in the film’s finale is a somewhat better effort. I was fortunate to find the stock shot before we filmed the scene, so at least the actors are looking in the right direction. I even grabbed a shot of Kevin and McCreedy running past a similar brick building before the explosion, so at least it was a more convincing match. By far the most dangerous scene we shot was when the stuntman, doubling as Nick, gets lit on fire. Again, no permit or fire marshal, and since we did it in one take, we accidentally ignited the ceiling of the club.

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