Concerto No.1 in B-Dur KV.207-Partitura completa by W.A.Mozart-Violin

By W.A.Mozart-Violin

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Extra info for Concerto No.1 in B-Dur KV.207-Partitura completa

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Nach Brinkmann 1990, 75) bezeichnet hat, so wäre differenziert zu fragen, was er unter Melancholie verstanden hat. Der 4 Wolfgang Sandberger einseitige Blick auf den »schwerblütigen Norddeutschen« verdeckt zudem die Tatsache, dass gerade für den späten Brahms »das Ideal des Leichten, Unangestrengten, Graziösen« (Finscher 1999, 37) sehr wichtig wurde. Der »tiefsinnig-deutsche« Brahms bewunderte eben auch Johann Strauß, und kaum jemand dürfte vermuten, dass der vermeintliche Verfechter der »absoluten Musik« für die Carmen von George Bizet schwärmte, die er in einem Brief an Elisabeth von Herzogenberg »eine ganz besondre Geliebte von mir« nannte (21.

Oktober: Eröffnung der Neuen Tonhalle in Zürich. Brahms dirigiert das Triumphlied op. 55. Unter dem Eindruck des Schlaganfalls von Clara Schumann (26. März) Komposition der Vier ernsten Gesänge op. 121 20. Mai: Tod Clara Schumanns Sommeraufenthalt in Ischl Verschlechterung des Gesundheitszustands; Diagnose: »bürgerliche Gelbsucht« (vermutlich aber Pankreaskarzinom). Empfehlung des Klarinettentrios op. 3 von Alexander Zemlinsky an den Verleger Simrock 7. März: Brahms besucht das letzte öffentliche Konzert.

Wagner seinerseits hat seinen vermeintlichen Rivalen erst 1869 zum ersten Mal öffentlich attakkiert und zwar als Komponisten, der »unentwegt die Hände nach dem ersehnten Opernerfolge« ausstrecke (Wagner 1869, 392). Der Musikdramatiker Wagner wollte nicht akzeptieren, dass man ohne Musikdrama ein ernst zu nehmender Komponist sein kann. So schmähte er den »Heiligen Johannes« und seine »Enthaltsamkeitskirche«, in der allenfalls Kammermusik erklinge. Wer wie Brahms Klaviertrios, Quartette, Quintette und Sextette, wer Cello- und Violinsonaten schrieb, galt aus der Perspektive der Neudeutschen um Liszt und Wagner als konservativer, ja epigonaler Komponist.

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