By Meerwein, Rodeck, Mahnke (auth.)
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Extra resources for Color — Communication in Architectural Space
Mid-range differences in exist between objective color properties, a well as between brightness have a pleasant effect and are recommended subjective color effects. physiologically. We distinguish the following color contrasts: Chromatic–Achromatic Contrast _ Light-dark contrast A chromatic-achromatic contrast results when chromatic and _ Chromatic-achromatic contrast achromatic colors come together. Chromatic, very pure and _ Chromatic contrast highly saturated colors, when interacting with achromatic _ Complementary contrast colors, generate intense impressions and spontaneously _ Intensity contrast stimulate attention.
Differences in luminous density within a person’s field of changes over the course of the day, as well as according to view affects the eye’s adaptation to light and dark. During this geographical location and season. adjustment, visual capacity is reduced. If the differences be- In recent decades it has become increasingly clear that sun- tween the luminous densities within view are too great, the light has a strong effect upon the human organism. Rikard iris muscle is strained, causing eye fatigue.
Ideally, the character of this perception terials and colors are the key visual parameters for perceiving is something new and greater than just the sum of its individ- and experiencing space. While for centuries Asian cultures ual parts. Thus, a material and a color have to be placed to- have cultivated a highly refined awareness of materials along gether before they can create a specific effect. For an exact ter- with an advanced understanding of construction, there has minological description, it is recommended that readers been a lively debate since the early 19th century in Europe on consult László Moholy-Nagy.