Billboard (14 November 2015)

The world's ideal track book, Billboard has served the leisure company seeing that 1894. starting as a weekly for the billposting and ads company, Billboard and its well known song charts have developed into the first resource of knowledge on traits and innovation in tune, serving track fanatics, artists, most sensible executives, travel promoters, publishers, radio programmers, legal professionals, shops, electronic marketers etc.

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What was your main gripe with the business? I’m on Republic Records now, and those two guys who run it are good guys. I like Monte and Avery Lipman. But I’ve probably been with a thousand recordcompany presidents, and I didn’t like any of them — and they didn’t like me. I was never interested in kissing anybody’s ass. I even punched a record-company president once. What did he do? He fell down. ) NOVEM BER 14, 201 5 | W W W. COM 33 “I don’t want people to feel like Justin Bieber has found God and now he’s trying to tell us what [to do].

The lovely “Where Does the Time Go,” tucked near the end, lets the pair’s vocal interplay shine, a meditative respite from the carbon-copy clamor that precedes it. —MAURA JOHNSTON to have had much more fun making The Incredible True Story than his 2014 major-label debut, Under Pressure, which buckled under the weight of its protagonist’s dark childhood. ” It’s an audacious claim that Logic never makes good on. He’s a gifted rapper with dense lyrics and an ear for beats. ) But most of his ideas seem borrowed from peers like Kendrick Lamar, Drake and Kanye West.

He shut himself off and went into a dark place. Every single day I tried to help him turn it around, and every single day I failed. And I tried desperately. ” But as deftly as that narrative has been executed, Bieber and Braun have quietly achieved an even more impressive feat: repositioning the teen-pop icon as a cuttingedge hitmaker for grownups. Or millennials, at least. In the run-up to Purpose — his first album in three years, due Nov. 13 on Def Jam — Bieber has reinvented himself as perhaps the first true EDM-pop crossover superstar.

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